| Conference
Report
What:
South African National Cultural Heritage Training Workshop, “Oral
History: Practice and Policy”
Who:
64 participants from library, tertiary, archival, and cultural heritage
organizations and institutions in South Africa and the United States.
Where:
Cape Town, South Africa: main sessions at Cullinan
Inn; day-long session at Robben Island Museum, plus session at the
District Six Museum.
When:
November 8-10, 2000
Sponsor:
Binational Committee of South African National Cultural Heritage
Training & Technology Project; Robben Island Museum.
Funding,
Support for Workshop: Grants from Andrew W. Mellon,
Ford Foundations; logistical and staff support from Robben Island
Museum; units of Michigan State University.
Collaborating
Institutions and Organizations:
- Michigan
State University Museum
- African
Studies Center, Michigan State University
- MATRIX:
Center for Humane Arts, Letters, and Social Sciences Online, Michigan
State University
- Consortium
for Interinstitutional Collaboration in African and Latin American
Studies, Michigan State University
- Chicago
Historical Society
- Smithsonian
Institution Center for Folklife and Cultural Heritage
This
workshop brought together professional cultural heritage workers
from South Africa and the United States for an intensive short workshop
on oral history practice, method, model projects, technology, and
policy. Participants attended sessions at the Cullinan Inn, Robben
Island Museum, and the District Six Museum in Cape Town, South Africa.
The
event is the second in a series of projects in a three-year program
of binational, multi-institutional collaborations in heritage training
and technology funded by the Andrew W. Mellon and Ford foundations
and Michigan State University. The project is administered by staff
at Michigan State University and overseen by a Binational Committee
of US and South African representatives of leading academic and
cultural organizations.
The
training agenda for this Project stems from a needs assessment workshop
for representatives of South African heritage and cultural organizations,
held in Durban, November 2-5, 1999.
Detailed Workshop Description
Workshop
Objectives
The
curriculum for the Workshop was inspired by the Durban needs assessment
workshop’s identification of oral history as a national priority
for South Africa’s cultural, historical, and heritage sectors.
The curriculum included presentations and discussions on interviewing
methods, model projects in new media, digitization of sound for
preservation and dissemination, interpretation of oral histories,
national policy frameworks for oral history and heritage, copyright
and licensing of cultural assets, exhibits and community relations,
and training curricula for oral history in academic and nonacademic
settings. The objectives of the Workshop were:
- To
train and capacitate a cadre of South Africa’s new generation
of heritage professionals through an intensive program of specialized
sessions, field experiences, and the provision of instructional
resources for continuing application and education on-site in
South Africa.
- To
bring together a culturally-diverse, binational group of educators
and heritage professionals in South Africa and the United States
to foster new, collaborative, learning-based projects in history,
heritage, and culture.
- To
foster international scholarly and educational exchanges among
participants and their institutions through the use of networked
technologies.
Participants
and Instructional Staff
Participant Selection: Participants in the Workshop were
invited by a special subcommittee of the Binational Committee, which
identified a diverse sampling of heritage professionals from an
array of advantaged, underserved, emergent, and established institutions,
museums, archives, and cultural organizations across South Africa.
Nominations by this subcommittee were reviewed by the partners in
the United States.
Instructors,
Facilitators, Presenters: Instructors, presenters, and instructional
assistance came from a number of sources; a listing of staff and
instructors may be found at the Workshop website and in the Appendix
of this report:
- the
partner institutions in the United States: several units of Michigan
State University (professional staff from the MSU Museum; humanities
technology instructors from MATRIX); the Chicago Historical Society;
the Smithsonian Institution Center for Folklife and Cultural Heritage,
plus contributors from the International Intellectual Property
Institute.
- cultural
arts and humanities training and public programs and organizations
in South Africa, including the University of Durban Westville;
University of the Witwatersrand; University of Cape Town; District
Six Museum; Robben Island Museum/Mayibuye Archives; South African
Broadcasting Corporation; University of the Western Cape; South
African Heritage Resources Agency; National Archives of South
Africa; Campbell Collections, University of Natal-Durban, plus
independent consultants, filmmakers, and radio program directors.
Program
The
Workshop divided into 3 one-day sessions, the first day on Robben
Island and the remaining two at the Cullinan Inn, Cape Town, with
extramural events at the District Six Museum and a reception at
the home of the United States Consul-General in Cape Town. The structure
of the curriculum drew the participants through a natural sequence
from overarching issues of theory and policy, to methods, model
projects, preservation and access, dissemination, distribution,
digitization, and, finally, training for oral history.
- Day
one (Nov. 8): Participants traveled to Robben Island Prison and
Museum for a day of tours and sessions devoted to oral history
presentation and interpretation. Participants listened to opening
remarks about living heritage and oral history, by Prof. Jakes
Gerwel. Led by the Museum’s Education and Research Departments,
and assisted by the Hon. Ahmed Kathrada, chair of the Robben Island
Council and a former prisoner, the participants then viewed and
discussed new exhibits that broadcast oral narratives and interviews
with ex-prisoners in the cells themselves. In the afternoon, they
discussed problems of narrative interpretation in a session facilitated
by Mr. Khwezi Ka Mpumlwana (Education Manager, RIM), and Dr. Harriet
Deacon (Research Coordinator, RIM). That evening, participants
toured the District Six Museum in Cape Town, where museum trustees
and exhibit designers discussed the Museum’s redevelopment
in the aftermath of the building’s reconstruction. A reception
and dinner followed.
- Day
two (Nov. 9): A full day’s sessions included panels on model
projects, national policy, interviewing techniques, and preservation.
- Prof.
Luli Callinicos of Wits; Mr. Irwin Langeveldt of the Department
of Arts, Culture, Science and Technology; and Prof. Yonah
Seleti, Director of the Campbell Collections, University of
Natal-Durban, discussed the policy framework for national
oral history.
- Dr.
Sean Field (Coordinator, Western Cape Oral History Project,
UCT) and Professor Marsha MacDowell (Curator, MSU Museum)
demonstrated interviewing techniques in an interview with
Prof. Robert Vassen, a South African exile who recalled early
experiences under apartheid and his resulting political activism.
This session was videotaped for later excerpting in instructional
materials the project is developing.
- Participants
viewed and discussed two presentations of model oral history
projects, facilitated by Mr. Dumisani Sibayi, South African
Heritage Resources Agency (SAHRA): the National Archives pilot
oral history project on the 1956 Women's March, featuring
oral narratives and songs recorded and digitized by workers
under the supervision of Sue Krige; and a presentation about
preserving the work of South African praise poets, by Dr.
Russell Kaschula, Department of South African Languages &
Literatures, UCT.
- Ilse
Assmann (Manager, SABC Sound Archives & Audio Library),
discussed preservation and access issues for video and audio
collections; Mr. Michael Shapiro and Ms. Lee Gillespie-White
(International Intellectual Property Institute) addressed
the knotty issues related to copyright and licensing of cultural
assets in the context of international and South African law.
- Day
three (Nov. 10): The day featured panels on digitization, community
relations, various new uses of oral history, and training in formal
and informal settings. The featured speaker was Hon. Bridgitte
Mabandla, Deputy Minister for Arts, Culture, Science, and Technology.
- In
a session on best practices for digitizing sound archives,
Professor Mark Kornbluh (Director, MATRIX, MSU), Ms. Melanie
Shell-Weiss, (Assistant Director, H-Net, MSU), and Mr. Valmont
Layne (Sound Archivist, District Six Museum) explained and
discussed the intricacies of digitizing and presenting sound
archives in networked settings.
- Prof.
Crain Soudien of the District Six Museum Council discussed
the difficulties and challenges of coordinating community
involvement in the collecting and recording of oral history
at a community-based museum.
- For
a session facilitated by Prof. Kurt Dewhurst (Director, Michigan
State University Museum), Dr. Diana Baird N'Diaye (Folklife
Specialist, Office of Folklife Programmes and Cultural Studies,
Smithsonian Institution) described the project on African
immigrants in Bermuda and Washington, D.C. for the Smithsonian
Folklife Festival. Dr. Russell Lewis (Director for Collections
and Research, Chicago Historical Society) explained how the
Society navigated the conflicting interests and stories collected
through the Chicago Neighborhoods Project.
- Dr.
Ciraj Rassool (History Department, UWC), facilitated a session
that explored new venues for oral history: controversial historical
film documentaries of gay oral histories, by Mr. Jack Lewis
(Film producer, Idol Productions), and samplings from community
radio and oral history in local languages, collected and broadcast
by Ms. Nomachina Mfeketho-Noah (freelance radio producer).
- A
final session grappled with the challenges in developing training
modules for oral history and living heritage. Ms. Deirdré
Prins (Educational Programmes & Materials Development
Coordinator, Robben Island Museum) and Ms. Carohn Cornell
(Heritage trainer), divided the participants into groups that
each developed answers to a series of questions related to
applying oral history practice in professional, educational,
and tertiary institutions. The groups were directed by Dr.
Leslie Witz (Robben Island Heritage Studies Training Programme)
and Dr. Cynthia Kros (Heritage Programme, Graduate School
for Humanities and Social Sciences, University of the Witwatersrand).
- A
highlight of the afternoon was a talk and group discussion
with Hon. Bridgitte Mabandla, Deputy Minister for Arts, Culture,
Science, and Technology. The deputy minister reiterated the
Ministry’s deep interest in developing and cultivating
a new generation of heritage professionals adept at project
management, heritage issues, and cultural tourism. She then
fielded questions from the group about the Ministry’s
work with smaller museums and its priorities for the heritage
sector.
Special
events: The group attended a reception sponsored by the United
States Consul-General Cape Town, and a reception/dinner at the District
Six Museum.
Outcomes,
Evaluation, Follow-up
Workshop
curricular materials: As part of the workshop, participants
will receive a compact disk containing video excerpts and presentations
from the panelists.
Workshop
evaluations: A general evaluation session occurred at the end
of the last day of the workshop, where participants discussed the
skills and ideas they expect to take back with them to their professional
and educational workplaces. Participants pointed especially to the
sessions at Robben Island (many of them had not been to the Island
before), digitization, and interviewing as especially instructive.
They also mentioned that the program was quite intensive, and that
it would take quite some time for them to digest and apply all that
they had learned.
Follow-up:
After the Workshop concluded, the instructors and project staff
continued to maintain and develop communications with participants
about skills acquired and new projects that could spin off from
the Workshop. Participants were subscribed to the current listserv
for all participants from the July Institute, and for attendees
at the Durban needs assessment workshop, to discuss the Workshop
and to foster communications about heritage issues. Lively and productive
discussion continues through the preparation of this report.
Appendix
I.
Workshop Organizational and Planning Staff
A.
Curriculum planning and schedule coordination: Ms. Anthea Josias,
Collections Coordinator, Robben Island Museum/UWC-RIM Mayibuye
Archives, chair; Dr. Sean Field, Director, Western Cape Oral History
Project, UCT; Mr. Khwezi Ka Mpumlwana, Education Director, RIM;
Melanie Shell-Weiss, Assistant Director, H-Net: Humanities &
Social Sciences Online; Prof. Marsha MacDowell, MSU Museum.
B.
Travel and logistical arrangements: MATRIX Staff: Joe Cords, Jacque
Shoppell, Joan Eadie, MSU.
C.
Follow-up communications and research: Amy Couture, MSU.
II.
Facilitators, Special Guests, Presenters, Staff
A.
Facilitators
1.
Mr. Khwezi Ka Mpumlwana (Education Manager, RIM)
2. Dr. Harriet Deacon (Research Coordinator, RIM)
3. C. Kurt Dewhurst, Director, MSU Museum.
4. Mr. Dumisani Sibayi, South African Heritage Resources Agency
5. Ms. Anthea Josias, Collections Coordinator, Robben Island
Museum/UWC-RIM Mayibuye Archives.
6. Dr. Ciraj Rassool (History Department, UWC)
7. Professor Yonah Seleti (Director, Killie Campbell Collections,
University of Natal-Durban)
8. Ms. Deirdré Prins (Educational Programs & Materials
Development Coordinator, Robben Island Museum).
9. Ms. Carohn Cornell (Heritage trainer).
10. Prof. Peter Knupfer, Project Director, MSU.
11. Russell Lewis, Andrew W. Mellon Director of Collections
and Research, Chicago Historical Society.
B.
Special Guests and Speakers
1.
Hon. Bridgitte Mabandla, Deputy Minister, Arts, Culture, Science
& Technology.
2. Professor Jakes Gerwel
3. Dr. Professor André Odendaal, Director, Robben Island
Museum
4. Professor John Eadie (Director, CICALS, Michigan State University)
5. Hon. Mr. Ahmed Kathrada (Chairperson of the Robben Island
Museum Council).
C.
Presenters, Commentators
1.
Dr. Luli Callinicos (Heritage Consultant)
2. Mr. Irwin Langeveldt (Assistant Director: Heritage, DACST)
3. Dr. Sean Field (Coordinator, Western Cape Oral History Project,
UCT)
4. Marsha MacDowell, Professor, Department of Art and Curator
of Folk Arts, Michigan State University Museum.
5. Ms. Sue Krige, (Heritage Consultant).
6. Dr. Russell Kaschula, Department of South African Languages
& Literatures, UCT
7. Mr. Michael Shapiro (General Counsel, International Intellectual
Property Institute)
8. Ms. Lee Gillespie-White (International Intellectual Property
Institute)
9. Professor Mark Kornbluh (Director, MATRIX, MSU)
10. Ms. Melanie Shell-Weiss (Assistant Director, H-Net, MSU)
11. Professor Crain Soudien (District Six Museum Council)
12. Dr. Diana Baird N'Diaye (Folklife Specialist, Office of
Folklife Programs and Cultural Studies, Smithsonian Institution)
13. Dr. Russell Lewis (Director for Collections and Research,
Chicago Historical Society)
14. Mr. Jack Lewis (Film producer, Idol Productions)
15. Ms. Nomachina Mfeketho-Noah (Freelance radio producer)
16. Dr. Leslie Witz (Robben Island Heritage Studies Training
Program)
17. Dr. Cynthia Kros (Heritage Programme, Graduate School for
Humanities and Social Sciences, University of the Witwatersrand)
18. Mr. Valmont Layne (Sound Archivist, District Six Museum)
D.
Staff
1.
Prof. Peter Knupfer, Project Director, MSU.
2. Ms. Joan Eadie, Program Coordinator, College of Education,
MSU.
3. Scott Pennington, Educational Technologist, MATRIX.
4. Michael Fegan, Educational Technologist, MATRIX.
5. Joy Palmer, Humanities Technology Specialist, MATRIX.
6. Amy Couture, Humanities Technology Specialist, MATRIX.
III. Participants/Trainees
1.
Teresa Barnes, History Department UWC
2. Karunananda Chetty, UDW Documentation Centre, Durban
3. Christopher DuPreez, South End Museum. Eastern Cape
4. Sello Hatang, National Archives, Pretoria
6. Vuyani Jarana, Nelson Mandela Museum, Transkei
7. Bongani Mabaso, National Archives, Pretoria
8. Thenjiwe Magwaza, Killie Campbell Collections, Durban
9. Oupa Makhalemele, Robben Island, Cape Town
10. Bashadi Lekgetho, North West Arts & Culture Dept.
11. Tizzie Mangiagalli, Caledon Museum, Western Cape
12. Sabine Marschall, UDW, Durban
13. Sydney Mashile, Pilgrims Rest Museum, Mpumalanga
14. Winnie Matjila, National Archives, Pretoria
15. Portia Matlala, National Archives, Pretoria
16. Bongani Mgijima, Lwandle Migrant Labour Museum, Somerset
17. Sibongesini Mkhize, KwaMuhle Museum, Durban
18. Sephai Mngqolo, MacGregor Museum, Kimberly
19. Lebo Mokoena, National Archives, Pretoria
20. Zolile Mvunelo, Robben Island, Cape Town
21. Tembisa Nkonto, Redhill Location Museum, Eastern Cape
22. Thulani Nxumalo, District Six Museum, Cape Town
23. Michele Pickover, Wits Historical Papers, Johannesburg
24. Graeme Reid, Gay & Lesbian Archive, Johannesburg
25. Tony Rodrigues, Technikon South Africa, Johannesburg
26. Grant Shezi, Robben Island, Cape Town
27. Sibongile Simelane, Wits Historical Papers, Johannesburg
28. Mark Snyder, Fort Hare, Alice, Eastern Cape
29. Trisha Sterling, Cape National Parks
30. Lesley Townsend, SAHRA, Cape Town
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